“This effect was manufactured in Japan in the 70s [perhaps more like the
late 70s into the early 80s] and is somewhat rare. The first quarter of
the distortion adds warmth, a little grain with less crackle and crunch
than
the TS-9 Ibanez, but with more pop — rich and nasty. The principle of
the pedal is the same as the
MXR Distortion + and it is great for blues crunch. A lot of personality
with this one. The sound is distinctive, the pedal is versatile, tone
color is beautiful, and it is interactive with your playing style.”
Archived past online sales data:
Search Marketplace
